Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann Baptist Vanhal and his sole Double-Bass concerto add a further highlight to the classical Bass literature in the Henle catalogue. The virtuosowork was transmitted only in a copy of a part owned by the famous Double-Bass player Johannes Sperger (1750 1812) and found in his estate which raises a few questions on account of the many later additions in the solo part(especially concerning the octave transpositions). In this Urtext edition Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. ThePiano reduction is printed in two keys (C and D major) which allows for performances in the solo and orchestral tuning or at will. Moreover an additional part written in fingering notation has been specially designed for usewith the 'Viennese tuning' customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.

Erstdruck. Par VANHAL JOHANN BAPTIST. Vanhals Musik, an den galanten Stil des 18. Jahrhunderts gebunden, atmet frisches Musikantentum./ Répertoire / Orchestre

Erstdruck. Par VANHAL JOHANN BAPTIST. Vanhals Musik, an den galanten Stil des 18. Jahrhunderts gebunden, atmet frisches Musikantentum./ Répertoire / Orchestre

Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Christoph Sobanski Doigtés cb.: Tobias Glöckler Cadences: Tobias Glöckler Edition Urtext, réduction pour piano, reliure paperback réduction pour piano in Ut et Ré majeur Partie en accord viennois (La-ré-fa#-la) Après les concertos pour contrebasse de Dittersdorf (HN 759) et de Hoffmeister (HN 721), nous ajoutons à notre catalogue un nouveau sommet de la littérature classique pour l?instrument, l?unique Concerto pour contrebasse de Johann Baptist Vanhal. Cette oeuvre virtuose ne nous est parvenue que par une copie du matériel dans la succession du célèbre contrebassiste Johannes Sperger (1750?1812), laquelle soulève un certain nombre de questions du fait des nombreux ajouts que comporte la partie soliste (s?agissant notamment des indications de jeu à l?octave). Dans notre édition Urtext, Tobias Glöckler répond à ces questions avec un texte musical soigneusement préparé pour l?exécution. La réduction pour piano est présentée dans deux tonalités différentes (Ut et Ré majeur), ce qui permet de jouer le concerto avec l?accord de soliste ou l?accord d'orchestre. En outre, une voix supplémentaire en tablature, spécialement conçue pour l'«accord viennois» en usage à l'époque de Vanhal, permet à l'instrumentiste de jouer directement avec la sonorité puissante de l?accord historique, sans réapprentissage fastidieux.

Volume 3 in our successful ?Enjoy The Organ? series offers attractive Organ pieces from the 17th to 20th centuries suitable for performance on smaller instruments and capable of producing impressive results with a limited amount of practice time.Among the pieces in Volume 3 are Juan Cabanilles' ?Batalla Imperial I?; Johann Baptist Vanhal's ?Sonatina in F major?; Robert Schumann's ?Adagio? from op. 70; Gabriel Fauré's ?Cantique de Jean Racine? op. 11; and Pietro Yon's ?Humoresque?.These pieces are intended primarily for the amateur organist but will also appeal to professional church musicians whowill find the collection useful as literature for sight reading and as a starting point for improvisation.Contents:Batalla Imperial I [Juan Cabanilles]Andante - Poco vivace [Johann Georg Albrechtsberger]Sonatina F major [Johann Baptist Vanhal] Adagio from op. 70 [Robert Schumann]Offertoire [Antoine-Édouard Batiste]Cantique de Jean Racine op. 11 [Gabriel Fauré] Humoresque Toccatina for flute stops [Pietro Yon]- Geared towards amateur church musicians and organists.- Collection of easy-to-play concert pieces for Organ.- Also effective on smaller instruments.- Already published Enjoy the Organ 1 (BA 11207); Enjoy the Organ 2 (BA 11208).

Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well./ Répertoire / Conducteur

Gem Chor, Orch., 2 Hr., Str. (Ohne Va) Und Org. Par VANHAL JOHANN BAPTIST. gemCh/ Répertoire / Voix

Composer : Vanhal, Johann Baptist Instrumentation : 2Fag,Klav Edition : Piano and solo Editor : Block, Robert P. / Hervig, Ric

Par VANHAL JOHANN BAPTIST. Editeur(s) d'origine: Mulgan, Denis M./ Répertoire / Hautbois, Violon, Alto et Violoncelle